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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Peripeteia / ˌ p ɛr ə p ɪ ˈ t eɪ. ə / (alternative Latin form: Peripetīa, ultimately from Greek: περιπέτεια) is a reversal of circumstances, or turning point. The term is primarily used with reference to works of literature; its anglicized form is peripety .
Anagnorisis (/ ˌ æ n ə ɡ ˈ n ɒr ɪ s ɪ s /; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.
[4] For Else, catharsis is an Aristotelian concept which must be read alongside the literary concepts of mimesis and hamartia as well. These latter two concepts are usually paraphrased as "literary representation" and "intellectual error" in Else's appraisal of Aristotle's literary aesthetic theory.
F. L. Lucas opposes, therefore, the use of words like purification and cleansing to translate catharsis; he proposes that it should rather be rendered as purgation. "It is the human soul that is purged of its excessive passions." [16] Gerald F. Else made the following argument against the "purgation" theory:
Schütrumpf, E., "Traditional Elements in the Concept of Hamartia in Aristotle's Poetics", Harvard Studies in Classical Philology 92 (1989) 137–56; Scott, Gregory L., Aristotle on Dramatic Musical Composition The Real Role of Literature, Catharsis, Music and Dance in the Poetics (2018), ISBN 978-0999704936
Notably, poetic justice does not merely require that vice be punished and virtue rewarded, but also that logic triumph. If, for example, a character is dominated by greed for most of a romance or drama, they cannot become generous.
In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close.