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Ornamental gold mounts. The primary responsibility of a mount maker is to provide safe and stable structural supports (also called mounts, brackets, or armatures) for a wide variety of cultural materials such as furniture, ceramics, paintings, sculptures, clothing, jewelry, aircraft, and machinery to be placed in storage, transported to another location, or for exhibition.
Celsus Library in Ephesus (), anastylosis carried out 1970–1978. Anastylosis (from the Ancient Greek: αναστήλωσις, -εως; ανα, ana = "again", and στηλόω = "to erect [a stela or building]") is an architectural conservation term for a reconstruction technique whereby a ruined building or monument is re-erected using the original architectural elements to the greatest ...
Objects conservator Laura Kubick examines an artwork at the Indianapolis Museum of Art.. An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works.
A National Trust conservator uses ultraviolet to identify old glue as part of restoration. The conservation and restoration of wooden furniture is an activity dedicated to the preservation and protection of wooden furniture objects of historical and personal value.
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Batik craftswomen in Java, Indonesia Savisiipi handicrafts store in Pori, Finland A handicraft Selling-Factory shop, Isfahan, Iran Artesanato Mineiro. A handicraft is a traditional main sector of craft making and applies to a wide range of creative and design activities that are related to making things with one's hands and skill, including work with textiles, moldable and rigid materials ...
No home is complete without a cocktail kit, and this one is our favorite. It comes with every tool you'll need to whip up even the most complicated beverages, including a compact wooden stand to ...
Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.