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In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Medieval debate poetry was a genre of poems popular in England and France during the late medieval period.The same type of debate poems broadly existed in the ancient and medieval Near Eastern literatures.
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The novel's title is a reference to the flow of arguments in a debate, [3] and a series of these exchanges tell the story. [5] Instead of a single central plot, there are a number of interlinked story lines and recurring themes (as in musical "counterpoint"). [6]
In music, counterpoint is a texture involving the simultaneous sounding of separate melodies or lines "against" each other. Counterpoint may also refer to: Music
[4] [5] The term "round" only first came to be used in English sources in the 16th century. [6] Canons featured in the music of the Italian Trecento and the 14th-century ars nova in France. An Italian example is "Tosto che l'alba" by Gherardello da Firenze. In both France and Italy, canons were often featured in hunting songs.