Search results
Results from the WOW.Com Content Network
Aside from Ennis and Dillon's Preacher, the Saint was featured in his own four-issue limited series, Preacher: Saint of Killers, which expanded on the Saint's background and motivation, [10] and has appeared briefly in the DC Comics series Hitman, cantered on a "wise-cracking assassin plying his trade in Gotham City", [7] and was portrayed by ...
Jesse uses the Word of God. Jesse Custer, also known as Jesse L'Angelle, is a small-town church pastor who becomes fused with a powerful entity named Genesis, giving him the ability to cause people to obey whatever he commands.
Claude Frollo – The Hunchback of Notre-Dame [7]. Claude Frollo – from the Disney adaptation; Father John Brown – created by G. K. Chesterton [8]; Father Ted Crilly – Father Ted [9]
Proinsias Cassidy, also known mononymously simply as Proinsias or Cassidy, is a fictional character and antihero in the Garth Ennis comic book series Preacher and The Boys, respectively co-created with Steve Dillon and Darick Robertson, and the former's spin-off prequel Cassidy: Blood and Whiskey.
Preacher is an American comic book series published from 1995 to 2000 by Vertigo, an imprint of DC Comics.The series was created by writer Garth Ennis and artist Steve Dillon, with painted covers by Glenn Fabry.
Harry Powell is a fictional character in Davis Grubb's 1953 novel The Night of the Hunter, known as "Preacher". He was portrayed by Robert Mitchum in Charles Laughton's 1955 film adaptation, and by Richard Chamberlain in the 1991 TV movie. Preacher was voted 29th on the American Film Institute's top 50 villains of all time list.
In 1950, Helen Hatton—whom Willard’s mother, Emma, wanted him to marry—marries Roy Laferty. Roy is a bizarre, albeit charismatic, evangelical preacher who pours venomous spiders over his head while giving sermons to demonstrate his faith in God. Helen and Roy have a daughter named Lenora.
qualities considered dark traits, usually belonging to villains, (amorality, greed, violent tendencies, etc.) [3] that may be tempered with more human, identifiable traits that blur the moral lines between the protagonist and antagonist. [4]