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Pages in category "Words and phrases derived from Greek mythology" The following 39 pages are in this category, out of 39 total. This list may not reflect recent changes .
Lyssa (/ ˈ l ɪ s ə / LEE-sə; Ancient Greek: Λύσσα, romanized: Lússa, lit. 'rage, rabies'), also called Lytta ( / ˈ l ɪ t ə / ; Ancient Greek : Λύττα , romanized : Lútta ) by the Athenians, is a minor goddess in Greek mythology , the spirit of rage , fury, [ 2 ] and rabies in animals.
According to Hesiod, Alecto was the daughter of Gaea fertilized by the blood spilled from Uranus when Cronus castrated him. She is the sister of Tisiphone and Megaera.These three Furies had snakes for hair and blood dripped from their eyes, while their wings were those of bats. [1]
In Greek mythology, Sisyphus or Sisyphos (/ ˈ s ɪ s ɪ f ə s /; Ancient Greek: Σίσυφος Sísyphos) was the founder and king of Ephyra (now known as Corinth). He was a devious tyrant who killed visitors to show off his power. This violation of the sacred hospitality tradition greatly angered the gods. They punished him for trickery of ...
Hubris (/ ˈ h juː b r ɪ s /; from Ancient Greek ὕβρις (húbris) 'pride, insolence, outrage'), or less frequently hybris (/ ˈ h aɪ b r ɪ s /), [1] describes a personality quality of extreme or excessive pride [2] or dangerous overconfidence and complacency, [3] often in combination with (or synonymous with) arrogance. [4]
The origins of these words go way back to the seventh or eighth century B.C.E, Beaulieu says, but the basic concepts are still relevant today and apply to the modern world.
Pathos tends to use "loaded" words that will get some sort of reaction. Examples could include "victim", in a number of different contexts. In certain situations, pathos may be described as a "guilt trip" based on the speaker trying to make someone in the audience or the entire audience feel guilty about something.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.