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The Bible was first translated into Castilian Spanish in the so-called Pre-Alfonsine version, which led to the Alfonsine version for the court of Alfonso X (ca. 1280). The complete Catholic Bible was printed in 1785, since the Inquisition had allowed Bible translations a few years earlier. A new version appeared in 1793.
Bible translations into the Spanish language. Pages in category "Bible translations into Spanish" The following 6 pages are in this category, out of 6 total.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Knowledge of the seven deadly sin concept is known through discussions in various treatises and also depictions in paintings and sculpture, for example architectural decorations on certain churches of certain Catholic parishes and also from certain older textbooks. [1] Further information has been derived from patterns of confessions.
The Reina–Valera 1865, made by Dr. Ángel Herreros de Mora of Spain, and subsequently printed by the American Bible Society. The ABS continued to reprint this Valera edition until the 1950s. It was reprinted again in the year 2000 by the Local Church Bible Publishers of Lansing, Michigan, and the Valera Bible Society of Miami, Florida.
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William Holman Hunt's 19th century The Light of the World is an allegory of Jesus knocking on the door of the sinner's heart.. The Sinner's prayer (also called the Consecration prayer and Salvation prayer) is a Christian evangelical term referring to any prayer of repentance, prayed by individuals who feel sin in their lives and have the desire to form or renew a personal relationship.
Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted. Raphael employs this type of perspective to great effect. The figures in the lower half of the painting are arranged in a static, frontal manner that conveys their solemnity and importance. Meanwhile ...