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The track is named for Harry Potter's pet owl, Hedwig. Since being featured in The Philosopher's Stone soundtrack, the piece's main theme was further developed by Williams for The Chamber of Secrets and The Prisoner of Azkaban, and by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat for the remaining five Harry Potter films.
Other musicians credited with writing the Harry Potter music include Jarvis Cocker, The Ordinary Boys, and Nick Cave and the Bad Seeds. Jeremy Soule and James Hannigan wrote the music for the Harry Potter video games. J. Scott Rakozy, Peter Murray, and Chuck E. Myers "Sea" composed the music for Hogwarts Legacy.
"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and ...
2009: Williams' Harry Potter theme used in Harry Potter and the Half-Blood Prince scored by Nicholas Hooper. 2010: Williams' Star Wars themes used in video game Star Wars: The Force Unleashed II scored by Mark Griskey. 2010: Williams' Harry Potter theme used in Harry Potter and the Deathly Hallows Part 1 scored by Alexandre Desplat.
Harry Potter and the Sorcerer's Stone [160] "Harry's Wondrous World" – "Platform Nine-And-Three-Quarters" – "And The Journey to Hogwarts" – "Hogwarts Forever! And The Moving Stairs" – "Hedwig's Theme" Warner Music Poland Promo; composed and conducted by John Williams. 2002 Star Wars: Episode II – Attack of the Clones [161]
Harry Potter Pals Tom Felton, Emma Watson Play Guitar Together. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us. Sign in. Mail. 24/7 ...
This is the final movie in the Harry Potter series to use Hedwig's Theme in its original, gradually building form during the opening (until the credits of Deathly Hallows Part 2). This version includes a slightly more ominous celesta melody, and retains the woodwind melody, but features a short harp motif at the end.
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