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Paris: Éditions du Seuil, 1987. (translated as Paratexts. Thresholds of interpretation, Cambridge: CUP, 1997) Huber, Alexander: Paratexte in der englischen Erzählprosa des 18. Jahrhunderts [Paratexts in eighteenth-century English prose fiction]. (Master's thesis [in German]). Munich: Ludwig-Maximilians-Universität (LMU) München, 1997.
The first rigsar song, Zhendi Migo was a copy of the popular Bollywood filmi song "Sayonara" from the film Love in Tokyo. [2] Rigsar songs can be in several languages, including the Tshangla (Sharchopkha) language. The traditional dranyen, a kind of folk guitar, has been updated into the rigsar dranyen for use in popular music. The rigsar ...
This is a list of mythologies native to Asia: . Buddhist mythology; Chinese mythology; Christian mythology (in Western Asia); Georgian mythology; Greek mythology (see Greco-Buddhism) ...
Zhang Bi [1] (simplified Chinese: 张泌; traditional Chinese: 張泌; pinyin: Zhāng Bì; born 930, date of death unknown), was a Chinese Ci lyric poet who lived during the Later Shu. He was one of the chief poets of the group influenced by Wen Tingyun which became known as the " Huajian Faction ". [ 2 ]
Source: [3] Jean-Pierre Desthuilliers went to high school at the collège Albert de Mun, at Michel Bouts' école du Gai Savoir, a school based on the principles of active learning, then at the co-ed lycée of Meaux, now Lycée Henri Moissan.
The "Guerrillas' Song" (simplified Chinese: 游击队歌; traditional Chinese: 游擊隊歌; pinyin: yóu jī duì gē) is a Chinese patriotic song from the Second Sino-Japanese War (called The War of Resistance Against Japan (Chinese: 抗日戰爭) both in ROC and PRC).
The Ludwig Boltzmann Institute for Neo-Latin Studies (LBI) (German: Ludwig Boltzmann Institut für Neulateinische Studien) in Innsbruck is a research institute of the Austrian Ludwig Boltzmann Gesellschaft.
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
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