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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer , Lao , Malay and Thai cultures , romvong is also common among many other groups indigenous to Southeast Asia.
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There are a number of folk dances which are popular with Lao Theung and Lao Sung groups, which have heavily adopted traditional Lao dance features. The Hmong perform the " fon bun kin chieng " or Hmong “New Year dance;” the Khmu have a courtship dance known as the " fon pao bang "; the Red and Black Tai have a bamboo cane dance, and the Yao ...
Leonor Orosa-Goquingco also had native elements in her dances like Noli Dance Suite and Filipinescas: Philippine Life, Legend and Lore in Dance, which had mixed ballet and folk dances into one performance. Due to this trend, many other writers and dancers continued to connect this Western dance style with native influences, motifs, and even ...
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/ , and signifies 'to sing' or a 'song'.
In his Traditional Music of the Lao, Terry Miller identifies five factors which helped to produce the various genres of lam or dance in Isan: animism, Buddhism, story telling, ritual courtship, and male-female competitive folk music. One of these is Lam Phi Fa, the Phi Fa dance. [3] Lam Phi Fa, together with Lam Phuen is one of the oldest genres.