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Hum Dekhenge (Urdu: ہم دیکھیں گے - In english We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. [1] Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), [2] it was included in the seventh poetry book of Faiz -- Mere Dil Mere Musafir.
Ismail Merathi (1844–1917) was an Indian Urdu poet, schoolteacher, and educationist from the Mughal–British era. His poems for children like Nasihat, Barsaat, Humaari Gaye, Subah Ki Aamad, Sach Kaho, Baarish Ka Pehla Qatra, Pan Chakki, Shafaq, and several others are part of the primary school curriculum in Pakistan. [1]
Hakim Ahmad Shuja – Pakistani Urdu and Persian poet (1893–1969) Iftikhar Arif – Pakistani poet and litterateur (born 1944) Jaun Elia – Pakistani poet (1931–2002) Jawayd Anwar – Pakistani poet and writer (1959–2011) Josh Malihabadi – Indian poet (1898–1982) Kishwar Naheed – Pakistani writer
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Iqbal "Tarana-e-Milli" (Urdu: ترانۂ ملی) or "Anthem of the Community" is an enthusiastic poem in which Allama Mohammad Iqbal paid tribute to the Muslim Ummah (nation) and said that Islam is the religion of the world.
According to Hossain, she wrote Sultana's Dream as a way to pass the time while her husband, Khan Bahadur Syed Sakhawat Hossain, a deputy magistrate, was away on a tour. . Her husband was an appreciative audience and encouraged Hossain to read and write in Engl
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
The Ghazal tradition is marked by the poetry's ambiguity and simultaneity of meaning. [12] Learning the common tropes is key to understanding the ghazal. There are several locations a Urdu sher might take place in: [13] The Garden, where the poet often takes on the personage of the bulbul, a songbird.