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"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
The Penguin Guide to Jazz Recordings [ 3 ] The Allmusic review by Stephen Cook awarded the album 4½ stars, stating: " Soul Sauce is one of the highlights from Tjader's catalog with its appealing mixture of mambo, samba, bolero, and boogaloo styles... an album full of smart arrangements, subtly provocative vibe solos, and intricate percussion ...
SOLOS: the jazz sessions is a 39-part television music profile/performance series produced in Canada by Original Spin Media. Each episode features complete musical pieces, interviews and behind-the-scenes footage with some of today's most notable jazz artists.
In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song. [1] The turnaround may lead back to this section either harmonically, as a chord progression, or melodically.
Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a harmonic progression from the central major key of one section to the tritone minor key of the ...
The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer , Bix Beiderbecke , and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence (it ...
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Henderson wrote the composition at the age of 15 in a Latin style but later modified it with a bossa nova rhythm. [2] It was recorded by Henderson on subsequent albums, including an uptempo version named "Não Me Esqueça"—"Do Not Forget Me" in Portuguese—on In Pursuit of Blackness and an arrangement named "Recuérdame" (Spanish) on the Big Band album.