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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Farmer's Pole is a 1984 cedar totem pole designed by Quinault artist Marvin Oliver, carved by artist James Bender and commissioned by architect Victor Steinbrueck, installed in Seattle's Victor Steinbrueck Park, in the U.S. state of Washington.
One of the totem poles that also function as support poles for the Portland Streetcar's overhead wire.. The four abstract painted aluminum totem poles each measure 30 feet (9.1 m), 1.75 inches (4.4 cm) x 40 inches (100 cm) x 42 inches (110 cm) and cover Portland Streetcar catenary poles (poles supporting trolley wires).
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
The Pole of Sag̱aw̓een was carved by Oyee to commemorate Chief Sag̱aw̓een from the Eagle tribe (Gitlaxluuks clan). At 81 feet (25 m) tall, this pole is the tallest pole carved on the Nass River. It stood in the village of Gitiks alongside two other Eagle poles: first, the Eagle's Nest Pole, and later in 1885, joined by the Halibut Pole of Laay.
The totem poles, erected between 1840 and 1942, depict the history of the fort. More than 500 photos document their presence from 1899 to the early 1980s. The 1924–1926 restoration project comprised extensive work on both standing and fallen totems. From 1926 to 1942, poles were moved back from the river edge to the centre of the village.
Boo-Qwilla is a totem pole created by Art Thompson, installed on the Stanford University campus in Stanford, California, United States. The sculpture was installed in Dohrmann Grove, near Hoover Tower, in 1995. [1] [2] It was cleaned and repainted in 2013. [3] [4]
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