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Studio monitor Little Gold Monitor (c. 1990) from Tannoy with two-way-coaxial construction, meaning the tweeter for frequencies from 1.400 Hz and above is located independently in the center of the 30 cm bass driver Tannoy, Dynaudio, Genelec, and K+H studio monitors. By the mid-1980s the near-field monitor had become a permanent fixture.
The Yamaha NS-10 studio monitor, identifiable by its horizontal lettering and distinctive white cone. The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment.
The LS3/5A (each element pronounced separately, without the stroke) is a small studio monitor loudspeaker originated by the BBC for use by outside broadcast vans to ensure quality of their broadcasts. The speaker concept set out transparent and natural sound as the goal, and the achievement of the result is widely acknowledged.
Manufacturer Country Product lines ADAM Audio: Germany: AX series, S series, T series, A series Alesis: United States: Elevate, M1 Amphion Loudspeakers
The Flat Display Mounting Interface (FDMI), also known as VESA Mounting Interface Standard (MIS) or colloquially as VESA mount, is a family of standards defined by the Video Electronics Standards Association for mounting flat panel monitors, televisions, and other displays to stands or wall mounts. [1]
A monitor mount placed at the appropriate height, distance and angle can help “prevent possible health effects such as excessive fatigue, eye strain, and neck and back pain.” [2] Monitor mounts are especially important for anyone using a standing or walking desk because of the dynamic height and stability requirements for those applications.
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