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In the eternal inflation theory, which is a variant of the cosmic inflation theory, the multiverse or space as a whole is stretching and will continue doing so forever, [68] but some regions of space stop stretching and form distinct bubbles (like gas pockets in a loaf of rising bread). Such bubbles are embryonic level I multiverses.
For example, one [23] can think that modal realism is unnecessary because multiverse theory can do all the modal work (e.g. many "worlds" interpretation of quantum mechanics). [ 23 ] A pervasive theme in Lewis's replies to the critics of modal realism is the use of tu quoque argument: your account would fail in just the same way that you claim ...
The quantum-mechanical "Schrödinger's cat" paradox according to the many-worlds interpretation.In this interpretation, every quantum event is a branch point; the cat is both alive and dead, even before the box is opened, but the "alive" and "dead" cats are in different branches of the multiverse, both of which are equally real, but which do not interact with each other.
Stoeger, Ellis, and Kircher [11]: sec. 7 note that in a true multiverse theory, "the universes are then completely disjoint and nothing that happens in any one of them is causally linked to what happens in any other one. This lack of any causal connection in such multiverses really places them beyond any scientific support".
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The simulated multiverse implies that technological leaps suggest that the universe is just a simulation. The ultimate multiverse is the ultimate theory, saying the principle of fecundity asserts that every possible universe is a real universe, thereby obviating the question of why one possibility – ours – is special. These universes ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Paul Steinhardt, who produced the first example of eternal inflation, [1] eventually became a strong and vocal opponent of the theory. He argued that the multiverse represented a breakdown of the inflationary theory, because, in a multiverse, any outcome is equally possible, so inflation makes no predictions and, hence, is untestable.