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According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
[8] p181 Aside from rural music and Afro-Cuban folk music, the most popular kind of urban Creole dance music in the 19th century was the contradanza, which commenced as a local form of the English country dance and the derivative French contredanse and Spanish contradanza. While many contradanzas were written for dance, from the mid-century ...
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
Cuban folk music (1 C, 2 P) G. Guajira (music) (2 C, 2 P) ... Pages in category "Cuban styles of music" The following 36 pages are in this category, out of 36 total.
Punto guajiro or punto cubano – or simply punto – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, [1] and consolidated as a genre in the 18th century. [2] It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. [3] [4]
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
Silvio Rodríguez Domínguez (born 29 November 1946) is a Cuban musician, and leader of the Nueva Trova movement.. He is widely considered as Cuba's best folk singer and arguably one of Latin America's greatest singer-songwriters. [1]
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based coros de clave.