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Lamin Saho is a kora player, vocalist, griot, and the leader of the band Roots and Culture. [1] He lives in The Gambia , in West Africa, and he is the oldest son of the Yankuba Saho [1] , who was a griot also.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Jaliba Kuyateh is a Gambian musician. [1] He is well known internationally as the "King of Kora." His music mixes traditional kora beats with modern pop music and is often referred to as "kora pop. "[citation needed] [2] Kuyateh is a former school teacher, a resident of Brikama, and performs extensively abroad.
Unlike many of his recordings which feature large ensembles, it consists of solo Kora throughout. The influences range from traditional Kora pieces to modern Western music. [1] The album was released in the United Kingdom on 25 February 2008 by World Circuit, and in the United States on 26 February 2008 by Nonesuch Records.
The album captures the rhythmic and melodic patterns that are common to traditional West African and Afro-Cuban music. [5] The musicians involved in AfroCubism already had successful careers through participation in the Buena Vista Social Club or as solo artists. [6] The project has subsequently toured around the world as a successful live show ...
According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
One of the main rhythmic fusions in Cuban music is the son. Other typical Cuban forms are the habanera, the guaracha, the danzón, the rumba, the bolero, the chachachá, the mambo, the punto, and many variations on these themes. [5] Cuban music has been immensely popular and influential in other countries.
Diawara left the Kora Jazz Tio in 2010. [1] Singer and musician, Djeli Moussa developed an intimate relationship with his 32-stringed Kora, which is unique and was adapted at his request from the 21-stringed traditional Kora. He is able to adapt to many different rhythms, from traditional mandingo to salsa, flamenco, blues and jazz. [citation ...