Search results
Results from the WOW.Com Content Network
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The word rumba is an abstract term that has been applied with different purposes to a wide variety of subjects for a very long time. From a semantic point of view, the term rumba is included in a group of words with similar meaning such as conga, milonga, bomba, tumba, samba, bamba, mambo, tambo, tango, cumbé, cumbia and candombe. All of them ...
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
THE COUNTDOWN: From Charli XCX’s neon-splattered club remix with Lorde to The Cure’s moment of bleary-eyed brilliance 16 years in the making, here are the songs that defined 2024, chosen by ...
A standing ovation for Sarah. 19:26, Rachel McGrath. And the judges loved it (mostly). “For me, that was choreography that belonged in a major championship,” said Shirley, the Queen of the Rumba.
The earliest recording of "La chismosa del solar" was made by Los Muñequitos de Matanzas in 1970 for Areito, the main imprint of EGREM, Cuba's national record label.It was one of a series of songs released in the early 1970s by the band, effectively relaunching their career after their many recordings in the 1950s under the name Conjunto Guaguancó Matancero.