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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
Along with Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle. [1]
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Van Dien adds, "Washington Irving went around and captured some of them," including Rip Van Winkle and the Legend of Sleepy Hollow, which he wrote and published in 1819 and 1820, respectively ...
"Rip Van Winkle" is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their liquor and falls asleep in the Catskill Mountains.
Fred Leslie as Rip Van Winkle, 1882. Rip Van Winkle is an operetta in three acts by Robert Planquette.The English language libretto by Henri Meilhac, Philippe Gille and Henry Brougham Farnie was based on the short stories "The Legend of Sleepy Hollow" (1820) and "Rip Van Winkle" (1819) by Washington Irving after the play by Dion Boucicault and Joseph Jefferson.
The story provides a Jewish version on the theme of a person or persons (as the Seven Sleepers) sleeping for many decades and waking to find a changed world—a theme originating in the story of Epimenides—found in many divergent cultures and traditions, and in modern times associated especially with the Rip Van Winkle story.
Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow", both of which were immediately acknowledged as The Sketch Book's finest pieces, American and English readers alike responded most strongly to the more sentimental tales, especially "The Broken Heart", – which Byron claimed had made him weep [23] – and "The Widow and Her Son".