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Alexander is mentioned in the Zoroastrian Middle Persian work Arda Wiraz Nāmag as gizistag aleksandar ī hrōmāyīg, literally "Alexander the accursed, the Roman", [1] [2] [3] due to his conquest of the Achaemenid Persian Empire and the burning of its ceremonial capital Persepolis, which was holding the sacred texts of Zoroastrianism in its Royal Archives.
Alexander the Great Taming Bucephalus is an 1826 history painting by the British artist Benjamin Robert Haydon. [1] [2] It depicts a scene from ancient history when Alexander the Great tamed his famous warhorse Bucephalus. On the right of the picture are Alexander's father Philip II of Macedon and mother Olympias.
Pages in category "Alexander the Great in art" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii, Italy.. It is typically dated between c. 120 and BC 100 [1] and depicts a battle between the armies of Alexander the Great and Darius III of Persia. [2]
He illustrated B.I. Wheeler's Life of Alexander the Great (1900), for which he did over 36 paintings and drawings from November 1898 to October 1899. His work for Century Magazine included travelling extensively, visiting Corsica (1894), Italy (1895, 1896), Greece (1897) and the Rhineland (1898) to illustrate travel articles by Augustine ...
The painting Alexander the Great's trust in Doctor Philip was created by Polish and Russian academic artist Henryk Siemiradzki (1843-1902) in 1870. It is held in the National Art Museum of the Republic of Belarus in Minsk (Inventory No. RZh-712).
The painting was one of 72 taken to Paris in 1800 by the invading armies of Napoleon I (1769–1821), [70] who was a noted admirer of Alexander the Great. [ 60 ] [ 71 ] The Louvre held it until 1804, when Napoleon declared himself Emperor of France and took it for his own use.
The Family of Darius Before Alexander was the only painting mentioned by Johann Wolfgang von Goethe in the account of his 1786 visit to Venice. [11] He admired the painting during his stay at the Palazzo Pisani Moretta, and repeated the legend that the picture was painted by Veronese in gratitude for the hospitality of the Pisani. [11]
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