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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
The book is a work of shunga within the ukiyo-e genre. [1] The image depicts a woman, evidently an ama (a shell diver), enveloped in the limbs of two octopuses. The larger of the two mollusks performs cunnilingus on her, while the smaller one, his offspring, assists by fondling the woman's mouth and left nipple. In the text above the image the ...
He alone, of his contemporary ukiyo-e artists, achieved a national reputation during his lifetime. His sensuous beauties generally are considered the finest and most evocative bijinga in all of ukiyo-e. [37] He succeeded in capturing the subtle aspects of personality and the transient moods of women of all classes, ages, and circumstances.
Kōmei Bijin Rokkasen (高名美人六家撰, "Renowned Beauties from the Six Best Houses") is a series of ukiyo-e prints designed by the Japanese artist Utamaro and published in c. 1795–96. The subjects were well-known courtesans, geisha, and others associated with the Yoshiwara pleasure districts of Edo (modern Tokyo).
The print is a vertical ōban of 37.9 × 24.9 centimetres (14.9 × 9.8 in), [24] and is a nishiki-e —a full-colour ukiyo-e print made from multiple woodblocks, one for each colour; the inked blocks are pressed on Japanese handmade paper. To produce a glittering effect the background is dusted with muscovite, a variety of mica.
Leftmost print of Awabi-tori, Utamaro, c. 1788–90. The Japanese ukiyo-e artist Kitagawa Utamaro made a number of prints depicting ama divers—women whose work is to dive for shellfish or pearls—catching haliotis abalone sea snails.
She was a daughter of the ukiyo-e artist Katsushika Hokusai (1760—1849). [5] [6] Hokusai was married twice; the first marriage [a] produced a son and two daughters, and the second, to a woman named Kotome (ことめ), resulted in a son and one or two daughters. [7] Ōi studied her craft under her father's guidance as his apprentice.
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