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Jazz Dance is a performance dance and style that arose in the United States in the early 20th century. [ 1 ] [ 2 ] Jazz Dance may allude to vernacular Jazz , Broadway or dramatic Jazz. The two types expand on African American vernacular styles of dance that arose with Jazz Music.
"The quest to make jazz more relevant to popular audiences, while retaining its artistic integrity, is a constant and prevalent theme in the history of postwar jazz." [132] During its swing period, jazz had been an uncomplicated musical scene; according to Paul Trynka, this changed in the post-war years: Suddenly jazz was no longer straightforward.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston , Balboa , Lindy Hop , and Collegiate Shag .
British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s. 1920s -> Cape jazz: Cape jazz (more often written Cape Jazz) is a genre of jazz that is performed in the southernmost part of Africa, the name being a reference to Cape Town, South Africa. 1990s ->
He saw jazz and its related dancing styles as a force for moral decay, and sought to cure it by bringing back traditional folk dances. In doing so, Ford rewrote the cultural history of the dance ...
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
In the discussion of Kansas City jazz in the 1920s, Schuller observes that the region was the birthplace of ragtime, an important popular music in the area. Concert bands like John Philip Sousa's were also very popular there. These currents provide a background for understanding the music of Bennie Moten, which gets some detailed analysis.