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The loudest wood tops, such as Sitka Spruce, are lightweight and stiff, while maintaining the necessary strength. Denser woods, for example Hard Maple, often used for necks, are stronger but not as loud (R = 6 vs. 12). When wood is used as the top of an acoustic instrument, it can be described using plate theory and plate vibrations.
Neck joint: Bolt-on: Scale: 24 inches (609.6 mm) Woods; Body: Alder, basswood: Neck: Maple: Fretboard: Rosewood, pau ferro, maple, ebony, Indian Laurel: Hardware; Bridge "Floating" proprietary vibrato unit Tune-o-matic: Pickup(s) Standard models include two single-coils; variants may include two humbuckers or 1 single-coil and 1 humbucker ...
The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument.
The black finish also received an Indian Laurel fingerboard with pearloid inlays while the Tahitian Coral and Olympic White finishes retained the maple fingerboard with black dots. In 2024, Fender began offering lime green as a second online exclusive finish. The black finish is the only version with a laurel fingerboard.
Nearly all of the 1960s models of the Stratocaster had a rosewood fretboard, and maple fretboards would not be re-introduced in large numbers until 1970. In 1960, the available custom colors were standardized with a paint chip chart, many of which were Duco automobile lacquer colors from DuPont available at an additional 5% cost.
[1]. The first wave of Hummingbirds came with a solid Sitka spruce top and solid mahogany back. The sides are mahogany, but not all of them are solid, many are laminated. They have adjustable rosewood or ceramic saddles, three-ply maple bridge plates, single X-bracing, engraved hummingbird-butterfly trumpet-flower pickguards with two points on the upper treble bout and one point level with the ...
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Telecaster Custom was introduced just around the time that Fender began to lose its reputation as a quality instrument company. Blighted with Fender's allegedly unstable 3 bolt adjustable neck joint and the characteristic 1970's style “notchless” upper cutaway, the Custom was also tarnished by negative perceptions surrounding the Pre/Post-CBS quality control debate.
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