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"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, [2] the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964.
"Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy label. It was written by Smokey Robinson , and was later used as the B-side to their Top 40 1964 hit " Girl (Why You Wanna Make Me Blue) ".
"Baby I'm-a Want You" is a song by American soft rock band Bread. The single was released in October 1971 and became the title track for the album of the same name , released in January 1972. It was one of Bread's highest-charting singles in both the U.S. and UK .
"I Want You, I Need You, I Love You" was backed with "My Baby Left Me" and was released on May 4, 1956. [5] Pre-orders of over 300,000 were the biggest ever in the history of the company. At the time of its release, Presley had three songs in the Top 20: "Heartbreak Hotel/I Was the One," "My Baby Left Me", and "I Want You, I Need You, I Love You".
"Baby, Now That I've Found You" is a song written by Tony Macaulay and John Macleod, [3] and performed by the Foundations. Part of the song was written in the same bar of a Soho tavern where Karl Marx is supposed to have written Das Kapital. [4] The lyrics are a plea that an unnamed subject not break up with the singer.
The melody of these lyrics matches the lyrics of "When I Need You" as follows: "(When I) need you, I just close my eyes and I'm with you, and all that I so want to give you, is only a heart beat away". In a 2006 interview with The Globe and Mail Cohen said: I once had that nicking happen with Leo Sayer. Do you remember that song 'When I Need You'?"
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"Mona (I Need You Baby)" is a song written by Ellas McDaniel that appeared as the B-side to his 1957 single "Hey! Bo Diddley".According to Diddley's obituary in The New York Times, "Mona" was a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit.