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CTKD is first duet album Indonesian singer Krisdayanti and Malaysian singer Siti Nurhaliza.CTKD is the abbreviation of Canda (Joke), Tangis (Cry), Ketawa (Laugh), Duka (Sad), since they are both known as CT (Siti) and KD (Krisdayanti).
The album's next single was "Hidup Untukmu, Mati Tanpamu", whose music video was released on November 25, 2012. [10] To support the single's release, Noah held a concert titled Konser Super Dahsyat HUMT on November 26. [11] On June 27, 2013, Noah release a karaoke DVD for Seperti Seharusnya. [12]
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "Aku" has gone on to become Anwar's most celebrated ...
"Jerat Percintaan" (in English: "Love Snare" or "Love Trap") is the first single and award-winning song performed by Malaysian pop singer Siti Nurhaliza.It earned the Best Song award at the Anugerah Industri Muzik in 1997.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Hari Yang Cerah "Di Balik Awan" — "Sally Sendiri" — "Hari yang Cerah untuk Jiwa yang Sepi" — "Cobalah Mengerti" — "Walau Habis Terang" 2008 — Sebuah Nama Sebuah Cerita "Kisah Cintaku" — "Tak Ada yang Abadi" 2009 — Credited as Noah (2012–2023) "Separuh Aku" 2012 57 Seperti Seharusnya "Hidup Untukmu, Mati Tanpamu" — "Jika Engkau ...
D'Masiv is an Indonesian rock band which based in Jakarta.It consists of 5 members: Rian Ekky Pradipta (vocal), Dwikky Aditya Marsall (guitar), Nurul Damar Ramadhan (guitar), Rayyi Kurniawan Iskandar Dinata (bass), and Wahyu Piadji (drums).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...