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Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
English: Movement 1 (Allegro non molto) of Summer, from Antonio Vivaldi's Four Seasons Español: 1 er movimiento ( Allegro non molto ) del Verano , de las Cuatro Estaciones de Antonio Vivaldi Français : L' Allegro non molto (1 e mouvement) de l'Été, un des quatre concertos pour violon d' Antonio Vivaldi qui composent Les Quatre Saisons
Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8. All are for violin solo, strings and basso continuo. The first four, which date back to 1718–23, are called The Four Seasons (Le quattro stagioni).
Description: Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer) — movement 3: presto from The Four Seasons Live, unedited performance — 2m:38.960s. Wiedemann Recital Hall, Wichita State University
The Deutsche Grammophon album was played by the violinist Daniel Hope and the Konzerthaus Kammerorchester Berlin symphony orchestra, and conducted by André de Ridder.On the album, Hope plays the "Ex-Lipinski" violin, an instrument made by Giuseppe Guarneri del Gesù in 1742 and made available to the violinist by a German family who asked to remain anonymous.
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
Six sonatas, four violin sonatas and two sonatas for two violins and basso continuo: 1716: 18, 30, 33, 35, 76, 72 6: Six violin concertos: 1716–1721: 324, 259, 318, 216, 280, 239 7: 12 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. 1 and 7 (both in B-flat major) for oboe, and No. 9 (in the same key ...
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