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Keep your hand on the plow, hold on. When my way gets dark as night, I know the lord will be my light, Keep your hand on the plow, hold on. Hold on Hold on Keep your hand on the plow, hold on. You can talk about me much as you please The more you talk, gonna stay on my knees. Keep your hand on the plow, hold on. When I get to heaven, gonna sing ...
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
On October 12, 2018, his song "Lord, I Need You" was certified Platinum by RIAA, his first certification. [ 20 ] His single "Alive and Breathing" reached top-5 in the Christian singles chart, in June 2020 the song started to chart on mainstream lists as well, hitting No. 3 on Rolling Stone' s trending 25 list as well as No. 25 on Billboard ...
"I'm Working on a Building" is a song in both the African American spiritual and southern gospel traditions. The song has become a standard of the genres. It has been recorded many times, by artists such as The Carter Family, [1] Bill Monroe, [2] Elvis Presley, [3] the Oak Ridge Boys, [3] B. B. King, [4] John Fogerty, [5] The Seldom Scene, [6] and Theo Lawrence.
‘Smoking saved my life’ The plane’s 1,000-foot skid through the cornfield and the trees had torn it into three sections: the cockpit and the first few rows; a large middle segment of the ...
All the People Said Amen has received generally favorable reviews from the seven music critics. Davis of New Release Tuesday called the release "his most dynamic." At Worship Leader, Furbeck proclaimed that the release is "the apex of Matt Maher's considerable musical expression to date", and found the album contained "a gift of songs for the Church of today". [8]
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
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