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The circle of lust introduces Dante's depiction of King Minos, the judge of hell; this portrayal derives from the role of Minos in the Greek underworld in the works of Virgil and Homer. Dante also depicts a number of historical and mythological figures within the second circle, although chief among these are Francesca da Rimini and Paolo ...
A 16th-century depiction of the Harrowing of Hell by a follower of Hieronymus Bosch. Dante's Limbo is modelled after the Ancient Greek concept of Elysium, the part of the Greek underworld reserved for those in classical mythology who had lived good lives. [10]
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
The first formal biography of Dante was the Vita di Dante (also known as Trattatello in laude di Dante), written after 1348 by Giovanni Boccaccio. [70] Although several statements and episodes of it have been deemed unreliable on the basis of modern research, an earlier account of Dante's life and works had been included in the Nuova Cronica of ...
To ancient Roman mythology, Dis Pater ("Father Dis") is the ruler of the underworld. [3] In the sixth book of Virgil's Aeneid (one of the principal influences on Dante in his depiction of Hell), the hero Aeneas enters the "desolate halls and vacant realm of Dis".
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
Gregory the Great with a dove alighting on his shoulder while the pontiff writes his homilies, an ancient tradition about the saint [34] During the Early Middle Ages, the doctrine of final purification developed distinctive features in the Latin-speaking West – these differed from developments in the Greek-speaking East.