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The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
The word "crotchet" comes from Old French crochet, meaning 'little hook', diminutive of croc, 'hook', because of the hook used on the note in black notation of the medieval period. As the name implies, a quarter note's duration is one quarter that of a whole note, half the length of a half note, and twice that of an eighth note.
Jean-Claude Raoul Olivier Risset (French:; 13 March 1938 – 21 November 2016) was a French composer, best known for his pioneering contributions to computer music. He was a former student of André Jolivet and former co-worker of Max Mathews at Bell Labs.
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
Crotchet Castle is the sixth novel by Thomas Love Peacock, first published in 1831. [ 1 ] As in his earlier novel Headlong Hall , Peacock assembles a group of eccentrics, each with a single monomaniacal obsession, and derives humour and social satire from their various interactions and conversations.
In September, the U.S. House voted to bar new drones from DJI from operating in the U.S. The Commerce Department is considering whether to impose restrictions on Chinese drones that would ...
En rythme molossique (In molossian rhythm) is the second of the Études in the minor keys, Op. 39 for solo piano by the French composer Charles-Valentin Alkan, published in 1846. It is in D minor . The piece is in rondo form , with two episodes, and is mostly driven by the rhythm .
The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables [see "musique ...