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Caccini, Le nuove musiche, 1601, title page In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. . Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600
[9] [10] Born of the cafés-concerts and cabarets of the Montmartre district of Paris and influenced by literary realism and the naturalist movements in literature and theatre, chanson réaliste was a musical style which was mainly performed by women and dealt with the lives of Paris's poor and working class.
Empfindsamkeit (English: sentimental style) or Empfindsamer Stil is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood.
Likewise, fictional music can be found in fantasy literature. [9] Music and song are mentioned throughout Tolkien's legendarium, in the Tolkien scholar Bradford Lee Eden's view "most obviously" in the Ainulindalë ("Music of the Ainur", the creation account in said legendarium), but also importantly in the culture of the Elves, the Hobbits, and ...
The literary work is said to be set, or adapted, to music. Musical settings include choral music and other vocal music. [1] A musical setting is made to particular words, such as poems. [2] By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement ...
This is a list of musical genres within the context of classical music, organized according to the corresponding periods in which they arose or became common. Various terms can be used to classify a classical music composition, mainly including genre, form , compositional technique and style.
Neoromanticism was a term that originated in literary theory in the early 19th century to distinguish later kinds of romanticism from earlier manifestations. In music, it was first used by Richard Wagner in his polemical 1851 article " Oper und Drama ", as a disparaging term for the French romanticism of Hector Berlioz and Giacomo Meyerbeer ...
The stylistic and musical characteristics of Chopin's mazurkas differ from the traditional variety because Chopin in effect created a completely separate and new genre of mazurka all his own. For example, he used classical techniques in his mazurkas, including counterpoint and fugue . [ 5 ]