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Big Bad Mama is a 1974 American action-crime-sexploitation comedy movie produced by Roger Corman, starring Angie Dickinson, William Shatner, and Tom Skerritt, with Susan Sennett and Robbie Lee. This movie is about a mother, Wilma (played by Dickinson), and her two daughters, Polly (Robbie Lee) and Billie Jean (Susan Sennett), who go on a crime ...
1 Plot. 2 Cast. 3 Production. 4 Reception. ... Big Bad Mama II is a 1987 American action–crime ... While it has been identified as a sequel to Big Bad Mama (1974 ...
Crazy Mama is a 1975 American action comedy film, directed by Jonathan Demme, produced by Julie Corman and starring Cloris Leachman. It marked the film debuts of Bill Paxton and Dennis Quaid . The film focuses on a beauty parlor owner and her family, who lose their belongings to repossession .
Sally Field’s Mrs. Gump was guilty of articulating one of cinema’s silliest similes when she compared life to a box of chocolates, explaining the mercurial inevitability of existence. But it ...
Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote that Kathleen Quinlan was "smashing" in her first major role, but the plot "spends a lot of time—too much time—telling us about the troubled world of mental hospitals," and the fantasy sequences "run on too long and look phony." [14]
Kirkland spent the 1970s and most of the 1980s playing secondary roles in film include Going Home (1971), The Young Nurses (1973), The Way We Were (1973), The Sting (1973), Big Bad Mama (1974), Crazy Mama (1975), A Star Is Born (1976) and Private Benjamin (1980). She played a leading role in the 1984 horror film Fatal Games.
Sorority Girl (also known as Sorority House or The Bad One) is a 1957 film noir exploitation film directed by Roger Corman. It stars Susan Cabot as Sabra, a sociopath who plays a very disruptive role in a sorority, with Barboura Morris, Dick Miller and June Kenney. It was released by American International Pictures as a double feature with ...
The movie was one of a series of women in prison films that Roger Corman co-financed following the success of The Big Doll House, including The Big Bird Cage, The Hot Box and Black Mama, White Mama. Most of those films had been shot in the Philippines but The Arena would be a European co production. Corman recalls, "It was the story of women ...