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Pappyland is an American half-hour children's television series written by Jon Nappa and broadcast on WCNY-TV in Syracuse, New York and PBS stations from 1993-1999. Thereafter, the show was moved to TLC and began airing new episodes on its Ready Set Learn! block from September 30, 1996 [1] until 1997, with reruns airing until February 21, 2003.
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole. Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School .
William Blake illustrated Paradise Lost more often than any other work by John Milton, and illustrated Milton's work more often than that of any other writer.The illustrations demonstrate his critical engagement with the text, specifically his efforts to redeem the "errors" he perceived in his predecessor's work.
Laurence Stephen Lowry RBA RA (/ ˈ l aʊ r i / LAO-ree; 1 November 1887 – 23 February 1976) was an English artist.His drawings and paintings mainly depict Pendlebury, Greater Manchester (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Some trees are over 400 years old, and the oldest yellow-poplars are more than 20 feet (6.1 m) in circumference and stand 100 feet (30 m) tall. Missing is the American chestnut , once the dominant tree of the forest, a victim of the chestnut blight accidentally introduced from Asia during the early twentieth century.
Sharai Bohannon of Dread Central rated the film 5 stars out of 5 and called it "equal parts haunting, disturbing, and beautiful." [2]Jenn Adams of Rue Morgue called the film a "haunting and relentless journey through a beautiful nightmare".
Originally, the album paintings and drawings within this collection were attributed to the name of Muhammad Siyah Qalam. The works bear either hastily written jottings or elegant nastaliq attributions to the name, with some including the title of Ustad or “the Master,” showing that the artist held some status.
The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm