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Mrs. Pawling is credited with a small number of crayon, pastel portraits at the end of the 17th century. Her work has been compared to that of Henrietta Johnston. [1] Three examples of Mrs. Pawling's work can be found at Belton House; a portrait of Sir Pury Cust (1655-1698/9), a portrait of Lady Alice Savile Cust (1666/7-1712), and a portrait of Savile Cockayne Cust (1698–1772) as a child. [2]
Pastel portraiture became popular in France with the arrival of Rosalba Carriera from Venice, an artist of the Italian Rococo who was in great demand in Paris for her portraits in 1720 and 1721. Navarre followed in her footsteps, and as she gained prominence, "her pastel portraits were appreciated for their skill, realism, and warmth." [3]
A typical signature is the inscription on the reverse of her portrait of Philip Perceval: Henrietta Dering Fecit / Dublin Anno 1704. [1] Johnston was almost exclusively a portraitist; the only landscapes attributed to her hand are the backgrounds of a pair of children's portraits from New York, which are also her only known portraits of ...
Adelaide Hiebel (1885–1965) was an artist and illustrator who worked for the Gerlach Barklow Co. in Joliet, Illinois, a manufacturer of art calendars.Hiebel preferred to work in pastels, and was known for her photographic detail and portraits of women, especially "women and dogs, mothers with infants, infant portraits and small children in cute situations."
Thomas Frye, 1710–62, Thomas Frye, Dated 1759, Oil on canvas, feigned oval, National Portrait Gallery, London Primary Collection NPG 5471 [1] National Portrait Gallery, London Thomas Frye (c. 1710 – 3 April 1762 [ 2 ] ) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures [ 3 ] and his early ...
The use of crayon or pastel sticks of ground pigments in various levels of saturation is also considered a highly skilled colourist's domain, as it requires knowledge of drawing techniques. Like oils, crayons and pastels generally obscure the original photograph, which produces portraits more akin to traditional paintings.
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