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Reviewing the Tamil version, a critic from The New Indian Express noted "though thespian Sivaji Ganesan and Soundarya shoulder the film, it is too late for the director to realise his mistakes. If some of the stunt and murder scenes are any indication, it seems the director has no basic knowledge about law and order". [ 7 ]
"Chinna Chinna Aasai" was the first song Rahman had composed for the film. The song "Kadhal Rojave" has two versions in both Tamil and Hindi; a solo and a duet in the former. The Hindi version of the song was titled "Roja Jaaneman" has two versions – one by S. P. Balasubrahmanyam and the other by Hariharan.
Kadhalan (transl. Loverboy; pronounced) is the soundtrack to the 1994 Tamil film of the same name, directed by Shankar.The soundtrack, features 9 songs composed by A. R. Rahman and lyrics penned by Vaali, Vairamuthu, Shankar and Thirikudarasappa Kavirayar.
Based on the ancient Tamil cultural dramas of Tamil Nadu, this epic attracts tens of thousands of people from across the country. The lyrics of the songs of the drama which were penned by the same Annaviyar, composed with a mixture of western and classical music before 139 years, are proved as the best classicals of the two centuries.
A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.
"Hosanna" created waves among the music lovers even before the audio release of the film. It had another grand reception when its video was released onto television channels on 11 March. The song was the most promoted song of the film and it became very popular. [3] The song was #1 in the year end music charts of 2010, published by Sify. [1]
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The epic comprises 3,615 rhymed quatrains in Tamil with 90 variations, and M. Dominic Raj has translated it into English in unrhymed quatrains of free verse following the ‘Sprung Rhythm’ style of Hopkins.