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Metaludios (piano) Métopes; Minuet in G (Paderewski) Miscellaneous solo piano compositions (Rachmaninoff) Mists (Xenakis) Moment exotique; Morceaux de fantaisie; Morceaux de salon, Op. 10 (Rachmaninoff) List of solo piano compositions by Wolfgang Amadeus Mozart; Music for Piano (Cage) Music for the Dance No. 2; Music of Changes; Musica ricercata
Ghent Swale for Double Bass and Piano (2001) Skater's Suite (1979) Anna Amalie, Princess of Prussia Trio (1767-87) Caroline Ansink. On my Volcano (1994) José Antônio Rezende de Almeida Prado (1943-2010) 4 Corais, for double bass and piano; Violet Archer. Six Miniatures for String Bass and Piano (1984) (1986) Pauline Louise Henriette Aubert ...
The Minstrel and the King: Rudolph von Habsburg (F. von Schiller), tenor, bass, male chorus 4 voices, orchestra, piano score (1890), Op. 16; Wouldn't that be queer (E.J. Cooley), female chorus 3 voices, piano (1919) [arr. of song], Op. 26/4; An Indian Lullaby (anon.), female chorus 4 voices (1895)
Characterized by electronic instruments, riffs, and extended solos. 1970s -> Jazz poetry: 1920s -> Jazz pop: Jazz rap: Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s -> Jazz rock
Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
for piano solo — — MS 1883: Entry of the Minstrels from Tannhaüser Act III, arrangement: for piano — — MS 1883: Helcia: orchestral: polka for Powick Asylum band: piccolo, clarinet, 2 cornets, euphonium, bombardon, 1st & 2nd violins, viola, double bass and piano — — MS 1884: Blumine: orchestral: polka for Powick Asylum band:
Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B ...
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