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Historical criticism (also known as the historical-critical method (HCM) or higher criticism, [1] in contrast to lower criticism or textual criticism [2]) is a branch of criticism that investigates the origins of ancient texts to understand "the world behind the text" [3] and emphasizes a process that "delays any assessment of scripture's truth and relevance until after the act of ...
In the fields of philosophy and mythography, euhemerism (/ j uː ˈ h iː m ər ɪ z əm,-h ɛ m-/) is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
Mythologies (French: Mythologies, lit. 'Mythologies') is a 1957 book by Roland Barthes.It contains a collection of fifty-three short essays written between 1954 to 1956, most of which were first published in the French literary review Les Lettres nouvelles.
The Christ myth theory, also known as the Jesus myth theory, Jesus mythicism, or the Jesus ahistoricity theory, [1] [q 1] is the view that the story of Jesus is a work of mythology with no historical substance. [q 2] Alternatively, in terms given by Bart Ehrman paraphrasing Earl Doherty, it is the view that "the historical Jesus did not exist.
Undersökningar i germanisk mythologi (Investigations into Germanic Mythology) is a two-volume work by Viktor Rydberg, published in 1886 and 1889.. Henrik Schück wrote at the turn of the 20th century that he considered Rydberg the "last —and poetically most gifted —of the mythological school founded by Jacob Grimm and represented by such men as Adalbert Kuhn" which is "strongly synthetic ...
The problems posed by the rise of fascism with the demise of the liberal state and the market (together with the failure of a social revolution to materialize in its wake) constitute the theoretical and historical perspective that frames the overall argument of the book—the two theses that "Myth is already enlightenment, and enlightenment ...
Although the reception of his work is different in each of these areas, there is a growing body of secondary literature on his work and his influence on disciplines such as literary criticism, critical theory, anthropology, theology, mythology, sociology, economics, cultural studies, and philosophy.
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