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Gods were immortal but could be bound and restrained, both in mythic narrative and in cult practice. There was an archaic Spartan statue of Ares in chains in the temple of Enyalios (sometimes regarded as the son of Ares, sometimes as Ares himself), which Pausanias claimed meant that the spirit of war and victory was to be kept in the city.
The Ares Borghese in the Louvre (Ma 866) The Ares Borghese is a Roman marble statue of the imperial era (1st or 2nd century AD). It is 2.11 metres (6 ft 11 in) high. Though the statue is referred to as Ares, this identification is not entirely certain. This statue possibly preserves some features of an original work in bronze, now lost, of the ...
However, the temple of Ares to which he refers had only been moved from Acharnes and re-sited in the Agora in Augustus's time, and statues known to derive from Alcamenes' statue show the god in a breastplate, [4] so the identification of Alcamenes' Ares with the Ares Borghese is not secure.
Hephaestus (UK: / h ɪ ˈ f iː s t ə s / hif-EE-stəs, US: / h ɪ ˈ f ɛ s t ə s / hif-EST-əs; eight spellings; Ancient Greek: Ἥφαιστος, romanized: Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. [1]
In Greek mythology, King Diomedes of Thrace (Ancient Greek: Διομήδης) was the son of Ares and Cyrene. [2] He lived on the shores of the Black Sea ruling the warlike tribe of Bistones. [3] [4] He is known for his man-eating horses, [5] which Heracles stole in order to complete the eighth of his Twelve Labours, slaying Diomedes in the ...
On the first day after that, Vulcan stared at this fire for hours on end. On the second day, he discovered that when he made the fire hotter with bellows, certain stones sweated iron, silver or gold. On the third day he beat the cooled metal into shapes: bracelets, chains, swords and shields.
Another notable depiction of a winged Hebe is by the Castelgiorgio painter on a cup, who pairs her with her mother and Ganymede analogously with Zeus; Ares stands in the center of the scene indicating familial harmony. [24] A figure, possibly Hebe, finial from the temple of Ares, ca. 440s BC. National Archaeological Museum of Athens, Greece.
A modified copy of the statue (with a head from a different prototype) is known from the Temple of Al-Lat at Palmyra. [122] The statue would originally have been around 2.3 metres tall, including her helmet and dates to ca. 435-430 BC. She wore a long chiton, knotted at her waist.