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Christ in the winepress appears in the 14th century poetry of English Benedictine John Lydgate, [28] and the metaphor is used by two important English 17th-century poets. One of the best known poems of the Anglican Vicar George Herbert is The Agonie , included in The Temple (1633), where the second stanza (of three) is an extended conceit on ...
Christ in the House of Martha and Mary (Dutch: Christus in het huis van Martha en Maria) is an oil painting finished in 1655 by the Dutch Golden Age painter Johannes Vermeer. It is now in the Scottish National Gallery in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious subject.
Several venerated images of Jesus Christ and Saint Joseph have also been granted a pontifical coronation. [ a ] The pontifical decree of canonical coronation Qui Semper granted for the "Virgin of Hope of Triana" in Spain , legally imposing the venerated Marian image the Pontifical right to wear a crown by Pope John Paul II on 7 April 1983.
From the Carnegie Museum of Art: "Henry Ossawa Tanner Christ at the Home of Mary and Martha Artist Henry Ossawa Tanner American1859–1937 Date c. 1905 Classification Paintings Medium oil on canvas Dimensions Work51 ½ × 41 ½ in130.81 × 105.41 cm Frame65 × 54 ½ × 3 ½ in165.10 × 138.43 × 8.89 cm Accession No. 07.3 Location Scaife Gallery 5
Christ in the Home of Mary and Martha, by Henry Ossawa Tanner, lightened from original Licensing This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
British scientists using forensic anthropology, similar to how police solve crimes, have stitched together what they say is probably most accurate image of Jesus Christ's real face, and he's not ...
The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]