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Ibong Adarna, also known as The Adarna Bird, [1] is an early 19th century Filipino epic poem that centers around a magical bird of the same name. During the Spanish era, the longer form of the story's title was Korrido at Buhay na Pinagdaanan ng Tatlong Prinsipeng Magkakapatid na anak ni Haring Fernando at ni Reyna Valeriana sa Kahariang Berbanya ' ("Corrido and Life Lived by the Three Princes ...
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature , encompassing narratives that recount the adventures of tribal heroes.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
The poems were written in the Spanish language by Pedro Paterno, a Filipino poet, novelist, politician, [1] and former seminarian. [2] The Tagalog word sampaguita (uses the Spanish-style spelling of "sampagita") in the title of the book refers to the Jasminum sambac, a species of jasmine that is native to the Philippines and other parts of ...
An abridged version was the first stage performance of the epic during the inauguration of the Cultural Center of Western Visayas on the campus of West Visayas State University in Iloilo City, Philippines in March 1983 under the patronage of the Cultural Center of the Philippines and the former First Lady of the Philippines, Imelda Marcos.
Darangen is a Maranao epic poem from the Lake Lanao region of Mindanao, Philippines. It consists of 17 cycles with 72,000 lines in iambic tetrameter or catalectic trochaic tetrameter. [1] Each cycle pertains to a different self-contained story. The most notable of which deals with the exploits of the hero Bantugan. [2] [3]
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
José García Villa [1] (August 5, 1908 – February 7, 1997) was a Filipino poet, literary critic, short story writer, and painter.He was awarded the National Artist of the Philippines title for literature in 1973, [2] [3] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken. [4]