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The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos ...
Fountains built in the United States between 1900 and 1950 mostly followed European models and classical styles. For example: The handsome Samuel Francis Dupont Memorial Fountain (aka Dupont Circle Fountain), in Dupont Circle, Washington D.C., was designed and created by Henry Bacon and Daniel Chester French, the architect and sculptor of the Lincoln Memorial, in 1921, in a pure neoclassical ...
Gardens of the Villa Aldobrandini (1598). The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
Park of the Villa d'Este, Carl Blechen, 1830.The overgrown garden appealed to the Romantic imagination; today this same view is once again manicured.. With the death of Ippolito in 1572, the villa and gardens passed to his nephew, Cardinal Luigi (1538–1586), who continued work on some of the unfinished fountains and gardens, but struggled with high maintenance costs.
Garden of the Villa d'Este in Tivoli: transverse axis with fish ponds, Neptune fountain and a water organ. During the early 16th century, a notable Renaissance garden was established on the site of the current Belvedere courtyard and the Vatican Apostolic Library. This garden is regarded as the first example of a Renaissance garden, and its ...
The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos ...
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