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Enemy of the State grossed $111.5 million in the United States and $139.3 million in other territories, for a worldwide total of $250.8 million, against a production budget of $90 million. [1] The film opened at #2, behind The Rugrats Movie, grossing $20 million over its first weekend at 2,393 theaters, averaging $8,374 per venue. [7]
Enemy of the State: 1998: The main character is pursued by the National Security Agency, which uses an array of surveillance technologies. [4] Equilibrium: 2002: In a futuristic city where emotions are suppressed through surveillance and control, a law enforcement officer begins experiencing emotions himself. [20] Das Experiment: 2001
In 2012, Girard-Perregaux introduced a new Girard-Perregaux 1966 Full Calendar and a 1966 Chronograph, which has been highlighted as a new grand classic by Girard-Perregaux themselves. [18] This Girard-Perregaux 1966 is a slightly larger faced model than previously issued by the watchmaker at 42 mm and may be a sign of the changing demands upon ...
An enemy of the state is a person suspected of political crimes against the state, such as treason.In designating certain persons and organizations as enemies of the state, the government can realize the political repression of political opponents, such as dissidents; thus a government can justify political repression as protecting the national security of the country and the nation.
Perregaux was brother to Marie Perregaux who co-founded the brand Girard-Perregaux along with Constant Girard in 1852. François was instrumental in the early stages of the company, traveling to the USA and Japan to assist in its exports overseas. Girard-Perregaux remains one of the oldest Swiss watch brands still in business today. [6]
Perregaux may refer to: Alexandre Charles Perrégaux, a French officer during the colonial conquest of Algeria. Jean-Frédéric Perregaux, a Swiss banker. Girard-Perregaux, a luxury Swiss watch manufacture.
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In La Presse, Mario Girard hailed Hochelaga, Land of Souls as powerful and a meaningful way to mark Montreal's 375th anniversary. Girard especially cited its depiction of Indigenous peoples in Quebec. [18] For Le Devoir, Odile Tremblay praised the film as beautiful and a story of reconciliation, giving fair weight to different sociological ...