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The mirror is part of the iconography of Akshobhya, one of the Five Tathagatas, who is the embodiment of "Mirror-like Awareness" (Sanskrit: ādarśa-jñāna, [2] which is "devoid of all dualistic thought and ever united with its 'content' as a mirror is with its reflections"; [3] [b] This type of wisdom is a transformation of the eighth consciousness, the Alayavijnana.
The most common yorishiro are swords, mirrors, ritual staffs decorated with paper streamers called gohei, comma-shaped beads called magatama (勾玉/曲玉), large rocks (iwasaka (岩境) or iwakura (磐座), and sacred trees. [1] [2] Kami are often considered to dwell in unusually-shaped rocks or trees, or in caves and earth mounds. [4]
' spirit world ') – A spiritual, non-corporeal world that coexists with the material world, that human beings inhabit, but in a different dimension. Senjafuda ( 千社札 , lit. ' thosuand shrine tags ' ) – Votive slips, stickers or placards (and ofuda ) posted on the gates or buildings of Shinto shrines and Buddhist temples in Japan.
It is said that the origin of the divine mirror dates back to China. [3] In China, more ancient divine mirrors have been unearthed than in Japan, and compared to the oldest mirror in Japan, the "Four divine mirrors with a rectangular shape inscribed in the third year of Seiryu," which is dated to 235 A.D., the oldest divine mirror in China is the "Leaf Vein Mirror (葉脈文鏡, Yōmyaku bun ...
Breaking a mirror is said to bring seven years of bad luck [1]; A bird or flock of birds going from left to right () [citation needed]Certain numbers: The number 4.Fear of the number 4 is known as tetraphobia; in Chinese, Japanese, and Korean languages, the number sounds like the word for "death".
There are many different methods of catoptromancy. Some practitioners use a single mirror, while others use multiple mirrors or even crystal balls. Some people look into the mirror in a dark room, while others prefer to do it in natural light. Some practitioners focus on their own reflection, while others look for visions of other people or events.
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Far from being a personal cosmetic accessory, mirrors in Mesoamerica were divinatory aids and also formed a part of elite status costume. [5] Mirrors were viewed as metaphors for sacred caves and as conduits for supernatural forces; they were associated with fiery hearths and pools of water because of their bright surfaces.