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According to Chinese myth, Fuxi also invented the fish basket, or trap (gu), by weaving bamboo into a cage which had a funnel opening, that was easy for the fish to enter because the big opening was on the outside, but inside it tapered to narrow and exit opening, so it was easy for the fish to get in, but hard to get out.
An illustration of Heluo fish from the 18th-century Complete Classics Collection of Ancient China.. In Chinese mythology, Heluo fish (simplified Chinese: 何罗鱼; traditional Chinese: 何羅魚; pinyin: Héluóyú) and Zi fish (simplified Chinese: 茈鱼; traditional Chinese: 茈魚; pinyin: Zǐyú) are fish with one head and ten bodies.
Feng (mythology), an edible monster that resembles a two-eyed lump of meat and magically grows back as fast as it is eaten. Fenghuang, Chinese phoenix; Fenghuang. Feilian, god of the wind who is a winged dragon with the head of a deer and tail of a snake. Feilong, winged legendary creature that flies among clouds. Fish in Chinese mythology ...
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
"Ye Xian" (traditional Chinese: 葉 限; simplified Chinese: 叶 限; pinyin: Yè Xiàn; Wade–Giles: Yeh Hsien; [jê ɕjɛ̂n]) is a Chinese fairy tale that is similar to the European Cinderella story, the Malay-Indonesian Bawang Putih Bawang Merah tale, [1] and stories from other ethnic groups including the Tibetans and the Zhuang. [2]
The Peiligang culture and the Cishan culture are the earliest Neolithic cultures in China that have been seen in archaeology so far. [18] Both cultures already had agriculture, but the large number of excavations of tree seeds, fish bones, and animal bones indicate that gathering food was still of considerable importance.
Certain characteristics of the Shang state religion have been identified as prefiguring later elements of Chinese bureaucratic culture. [16] [17] The Shang articulated an image of a supreme being that simultaneously led a body of lesser deities, including both ancestor and nature spirits, while also being a composite of all of them.
Fu (Chinese: 符; pinyin: fú ⓘ) was a tally, which was used as a proof of authorization in ancient China, which typically consists of two parts. [1] Generals would use the fu as an imperial authorization for troop movements and for other purposes while amongst the populace, it was used as a proof of authorization for goods exchanges or for leases. [1]