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Six Variations on "Hélas, j'ai perdu mon amant", K. 360/374b, is a composition in G minor for piano and solo violin by Wolfgang Amadeus Mozart, composed when he was 25 years old (June 1781). The six variations are nominally on a French ariette , "Hélas, j'ai perdu mon amant" ("Alas, I have lost my lover") by Antoine Albanèse [ fr ] (1729 ...
Variation I. The first variation marked poco meno andante, ma molto tranquillo, introduces the harmonic chord pattern in triplets. Variation II. The second variation branches of the first and is marked allegro agitato. The time changes to 9 8. This variation requires much virtuosity, having daring jumps in the left hand.
Variations in G minor, piano (1949) 2 Pieces for organ (1950) String Trio (1950) [The Metamorphosis], opera based on the short story by Franz Kafka (c. 1956) Sonata for Clarinet and Piano (late 1950s) [Portrait of John Donne], song cycle for mezzo-soprano and piano, based on John Donne's Holy Sonnets (1959–64)
Piano Quintet in G minor (Sibelius) Piano Sonata No. 2 (Schumann) Piano Sonatas Nos. 19 and 20 (Beethoven) Piano Trio (Chopin) Piano Trio (Clara Schumann) Piano Trio No. 2 (Dvořák) Piano Trio No. 3 (Schumann) Polonaises, Op. posth. (Chopin) Prelude and Fugue in G minor, BWV 861; Prelude in G minor (Rachmaninoff)
A late-14th/early-15th-century Halberd from Fribourg. The word helmbarte or variations thereof show up in German texts from the 13th century onwards. At that point, the halberd is not too distinct from other types of broad axes or bardiches used all over Europe. In the late 13th century the weapon starts to develop into a distinct weapon, with ...
No. 5 in G minor, Hoboken XV:1 (composed by 1766; possibly dating as far back as ca. 1760–62) No. 6 in F major, Hoboken XV:40 (exists with a different slow movement as the piano concerto Hob. XVIII:7; composed by 1766; possibly dating as far back as ca. 1760) No. 7 in G major, Hoboken XV:41 (composed by 1767; possibly dating as far back as 1760)
Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B ♭, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771.
No. 21 Morituri te salutant, G ♯ minor No. 22 Innocenzia, D ♭ major No. 23 L'homme aux sabots, B ♭ minor No. 24 Contredanse, E ♭ major No. 25 La Poursuite, C major No. 26 Petit Air, G minor No. 27 Rigaudon, D major No. 28 Inflexibilité, A minor No. 29 Délire, E major No. 30 Petit Air Dolent, B minor No. 31 Début de Quatuor, F ♯ major