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The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
The đàn tam thập lục (chữ Hán: 彈三十六, also called simply tam thập lục) is a Vietnamese hammered dulcimer with 36 metal strings. [1] It is used in various genres of traditional music and drama, as well as in modernized traditional music. The instrument is very similar to the Chinese yangqin.
Music historians report that the salterio, a hammered dulcimer, was played in Portugal, Spain, and Italy during this period. Historians say it is possible that the yangqin originated when the Portuguese, the English or the Dutch brought a dulcimer player to China who performed for locals. [1]
Dorothy Carter (born New York City, 1935, died June 7, 2003, in New Orleans) was an American musician. [1] [2] Carter performed contemporary, folk, traditional, medieval, and experimental music with a large collection of stringed instruments such as the hammered dulcimer, zither, psaltery, and hurdy-gurdy.
The tsymbaly (Ukrainian: цимбали) is the Ukrainian version of the hammer dulcimer. It is a chordophone made up of a trapezoidal box with metal (steel or bronze) strings strung across it. The tsymbaly is played by striking two beaters against the strings. The strings are strung in groups of 3–5, which are tuned in unison.
Russell Cook is a hammered dulcimer builder and player from Oklahoma, United States. [1] Russell won first place in the 1981 Walnut Valley National Hammered Dulcimer Championship held in Winfield, Kansas. Cook built his first dulcimer in 1979, and has gone on to build hammered dulcimers. He originally operated under the name Wood 'N Strings.
Chet Parker (August, 1891–1975) was a hammered dulcimer player from Michigan. Chet Parker was born the son of a blacksmith. His first instruments were the snare drum and the fife. He also learned to play the fiddle (his father was a fiddler) and to read music. He was introduced to the hammered dulcimer by a friend, who loaned him one, in 1900.
His Dulcimer Heritage album comes with a book featuring all of the tunes on the album transcribed by Nicholas Hawes in standard notation. In addition, a collection of his tunes was published in 1987 as Tunes for the Hammered Dulcimer, As Played By Paul Van Arsdale with transcriptions by Jean Lewis. The book contains 36 tunes, including some of ...
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