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Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1]
The history of art focuses on objects made by ... The major survivals of Buddhist art begin in the period ... Modern art has consistently moved toward ...
Modern ideas in art also began to appear more frequently in commercials and logos, an early example of which, from 1916, is the famous London Underground logo designed by Edward Johnston. [ 100 ] One of the most visible changes of this period was the adoption of new technologies into the daily lives of ordinary people in Western Europe and ...
1974 in art – For the first time in art history, ... Diego Rivera marries Frida Kahlo, the Museum of Modern Art opens in New York ... 1584 in art – start of Dutch ...
Note: there is overlap with what is considered "contemporary art" and "modern art." Contemporary Greek art – 1945 Greece; Vienna School of Fantastic Realism – 1946, Austria; Neo-Dada – 1950s, international; International Typographic Style – 1950s, Switzerland; Soviet Nonconformist Art – 1953 – 1986, Soviet Union
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Modern art therefore belongs only to the later phases of modernity. [73] For this reason art history keeps the term modernity distinct from the terms Modern Age and Modernism – as a discrete "term applied to the cultural condition in which the seemingly absolute necessity of innovation becomes a primary fact of life, work, and thought". And ...
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.