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When you take a step back and de-focus slightly, it sounds incredibly simple but it really isn't. The musicians on this score have really risen to the occasion because it's absolutely phenomenal playing. It's very difficult and we were under a bit of a time pressure. They really pulled out all the stops and it was really quite amazing actually.
Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
It is composed in the key of B minor, with Madonna's vocal range spanning from B 3 to C ♯ 5. The song follows the chord progression of G–A–Bm in the first line, when Madonna sings Holiday! , and changes to G–A–F ♯ m–G in the second line, when she sings Celebrate! . [ 9 ]
California 37 is the sixth studio album from California rock band Train.The album was released on April 13, 2012 through Columbia Records.It is the last Train album to feature drummer Scott Underwood before his departure in 2014 and the last recorded as a three-piece.
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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Tertian harmony (also called tertiary harmony [2]) principally uses chords based on thirds; the term is typically used to contrast with quartal and quintal harmony which uses chords based on fourths or fifths. Quartal chord on A equals thirteenth chord on B ♭, distinguished by the arrangement of chord factors Play ⓘ. [3]