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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
Rip Van Winkle is the foremost familiar example, although strictly speaking this cannot be called a "folktale", since it is a fictional work by Washington Irving loosely based on folklore. [113] Nevertheless, Urashima has been labeled the "Japanese Rip van Winkle", even in academic folkloristic literature. [114] "
A time slip is a plot device in fantasy and science fiction in which a person, or group of people, seem to travel through time by unknown means. [12] [13] The idea of a time slip has been used in 19th century fantasy, an early example being Washington Irving's 1819 Rip Van Winkle, where the mechanism of time travel is an extraordinarily long sleep. [14]
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Rip's Dream is based on two sources: the original 1819 "Rip Van Winkle" story by Washington Irving, and the 1882 operetta version of Rip Van Winkle (with music by Robert Planquette and libretto by Henri Meilhac, Philippe Gille, and Henry Brougham Farnie). [1] Two elements, the mysterious snake and the village idiot, are Méliès's own creations ...
Van Dien adds, "Washington Irving went around and captured some of them," including Rip Van Winkle and the Legend of Sleepy Hollow, which he wrote and published in 1819 and 1820, respectively ...
The Return of Rip Van Winkle, painting by John Quidor, 1849. Sometimes, as in Washington Irving's Sketch Book, which contains "The Legend of Sleepy Hollow" and "Rip Van Winkle" among others, the conceit is that the author of the book is not the real author but a fictional character, in this case a man named Crayon. Here the frame includes the ...
Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow", both of which were immediately acknowledged as The Sketch Book's finest pieces, American and English readers alike responded most strongly to the more sentimental tales, especially "The Broken Heart", – which Byron claimed had made him weep [23] – and "The Widow and Her Son".