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Labyrinths (1962, 1964, 1970, 1983) is a collection of short stories and essays by Argentine writer and poet Jorge Luis Borges.It was translated into English, published soon after Borges won the International Publishers' Prize with Samuel Beckett.
Man on Pink Corner (Spanish: Hombre de la Esquina Rosada) is a 1962 Argentine film directed by René Múgica, based on the story by Jorge Luis Borges. [1] It was shown at the Cannes and San Sebastián film festivals. [1] Borges viewed the film favourably, commenting "he did a good job with the possibilities provided by the plot". [2]
Jorge Francisco Isidoro Luis Borges Acevedo (/ ˈ b ɔːr h ɛ s / BOR-hess; [2] Spanish: [ˈxoɾxe ˈlwis ˈboɾxes] ⓘ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature.
Man on Pink Corner" (original Spanish title: "Hombre de la Esquina Rosada") is a short story by Argentine writer and poet Jorge Luis Borges. It is the first of several stories he wrote concerning duels between knife-fighters, which Borges recognized as one of his archetypal themes.
Ficciones (in English: "Fictions") is a collection of short stories by Argentine writer and poet Jorge Luis Borges, originally written and published in Spanish between 1941 and 1956. Thirteen stories from Ficciones were first published by New Directions in the English-language anthology Labyrinths (1962).
Borges in 1976. This is a bibliography of works by Argentine short-story writer, essayist, poet, and translator Jorge Luis Borges (1899–1986). Each year links to its corresponding "[year] in literature" article (for prose) or "[year] in poetry" article (for verse).
A Universal History of Infamy, or A Universal History of Iniquity (original Spanish title: Historia universal de la infamia), is a collection of short stories by Argentine writer Jorge Luis Borges, first published in 1935, and revised by the author in 1954.
According to Emir Rodríguez Monegal in his April 1968 article "Nota sobre Biorges", when Adolfo Bioy Casares and Jorge Luis Borges collaborated under the pseudonyms H. Bustos Domecq or B. Suárez Lynch, the results seemed written by a new personality, more than the sum of its parts, which he dubbed "Biorges" and considered in his own right as "one of the most important Argentine prose writers ...