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We Are Still Married: Stories & Letters is a collection of short stories and poems by Garrison Keillor, including several set in the fictitious heartland town of Lake Wobegon, Minnesota. It was first published in hardcover by Viking Penguin, Inc. in 1989. An expanded edition was published in 1990.
A number of early reviews were critical of the anthology. In a negative review in The Observer, Lorna Sage reviled 'the amateurishness of many of the writers': 'There are, too, many "poems" in the proper sense—about personal loss, about England as a garden (described again and again, with pitiful irony) where everything grows but love'. [15]
"Remorse for Intemperate Speech" is a poem written by Irish poet William Butler Yeats. It appeared in his 1933 volume of poems The Winding Stair and Other Poems. Yeats wrote this poem in August 1931. The contents speaks about the fanatic feelings and the capacity for hatred a person can feel in the dark part of the heart.
And Still I Rise is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of eight, as recounted in her first autobiography, I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
Poems of the Imagination (1815 and 1820); Memorials of a Tour in Scotland, 1803 1807 The Solitary Reaper (VIII) 1803 and 1805 "Behold her, single in the field," Poems of the Imagination (1815 and 1820); Memorials of a Tour in Scotland, 1803 1807 Address to Kilchurn Castle, upon Loch Awe (IX) 1803 "Child of loud-throated War! the mountain Stream"
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.
Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems. [1]
The title derives from a line in the poem "XVI – (How clear, how lovely bright)", from More Poems, by A. E. Housman, a favourite poet of Dexter and Morse: "Ensanguining the skies How heavily it dies Into the west away; Past touch and sight and sound Not further to be found, How hopeless under ground Falls the remorseful day."