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Equalizer effects: Boss GE-7 Equalizer, MXR 10-band EQ Pedal. Peter Frampton's Talk box. Talk box: A talk box directs the sound from an electric guitar or synthesizer into the mouth of a performer using a tube, allowing the sound to be shaped into vowels and consonants with movements of the mouth. The modified sound is then picked up by a ...
Also, the drive pedals typically are dynamic in nature- showing different EQ or distortion depth as the input guitar level changes. For example, the Honeybee overdrive may sound nearly clean with guitar volume at the lower range, but gritty and overdriven with the guitar volume at its maximum setting.
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
A guitar pedal board, comprising several EHX pedals, including a Big Muff, POG (polyphonic octave generator), a Stereo Pulsar tremolo and a Tube EQ. Electro-Harmonix (also commonly referred to as EHX [1]) is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike ...
The pedal's thick, saturated, tight tone [22] and the extreme sounds the pedal was able to produce thanks to its powerful EQ controls made the MT-2 divisive both upon its release and throughout its ongoing production. [26] Despite this, the pedal has found fans in metal and other genres, including Prince [26] and Joe Bonamassa. [27]
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
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